No, life here was very nice. Let me tell you why.
Wafic was a guy who loved life. I mean, for one, he never liked staying at home, and, two, he'd call me from the office: 'Get dressed. I'm picking you up.'
Five-thirty, we'd go to a house party. Then, there'd be a cocktail, so we'd go to the cocktail. We'd come back home. He'd change and then say to me, 'Get some sleep.'
'Why sleep? I just got back from the cocktail party, why sleep now?'
'I have to meet my buddy at Cape des Rois, then we're meeting some friends at the Mocombo around eleven, twelve, one.'
'We're going together.'
We were a Lebanese group, and we always went out together.
At the end of the night, there's this place called 3ajami, in the Souq el Taweeleh, on a paved street, a really narrow lane, half the width of a bedroom. The best stores were in Souq el Taweeleh. On both sides there were shops, and at the end a tiny little spot called 3ajami. They sold drinks, food, fool emdemmas, akel libanais.
It was in Centre Ville. Now, il n'existe plus. It's nothing now. They destroyed it, built it up again, put in a road, I don't know. There's nothing left of 3ajami.
Sunday, November 25, 2007
Saturday, November 24, 2007
Tuesday, November 20, 2007
Upping the Anty on Internet Censorship: Ma3 al Salameh, Fbook
They blocked Facebook.
Gone are the days of profile updates, wall messages, and poking.
Farewell to clicking "Not Attending" for events in America.
Adieu Scrabulous.
Just two months ago, my friend O and I were chatting about Facebook as a public sphere. We were saying how it was one of the only--if not the only--public spaces for free association. Sure, the bodies and the language are digital; nonetheless, it is a revolutionary public sphere where individuals can assemble into groups and express their thoughts in an open forum.
Given that the Assad regime isn't so fond of free association/assembly and of unregulated expression in general, it doesn't really surprise me that the government has blocked Facebook. However, I am shocked that they were perceptive enough to realize what a major role it plays in everyday life here.
The government has knocked my-facebook-self into a coma.
Wikipedia writes,
"A notable ancillary effect of social networking websites, particularly Facebook, is the ability for participants to mourn publicly for a deceased individual. On Facebook, students often leave messages of sadness, grief, or hope on the individual's page, transforming it into a sort of public book of condolences. This particular phenomenon has been documented at a number of schools. Previously, Facebook had stated that its official policy on the matter was to remove the profile of the deceased one month after he or she has died,preventing the profile from being used for communal mourning, citing privacy concerns. Due to user response, Facebook amended its policy. Its new policy is to place deceased members' profiles in a "memorialization state".
Our profiles are now memorials. Does that mean we're dead?
Gone are the days of profile updates, wall messages, and poking.
Farewell to clicking "Not Attending" for events in America.
Adieu Scrabulous.
Just two months ago, my friend O and I were chatting about Facebook as a public sphere. We were saying how it was one of the only--if not the only--public spaces for free association. Sure, the bodies and the language are digital; nonetheless, it is a revolutionary public sphere where individuals can assemble into groups and express their thoughts in an open forum.
Given that the Assad regime isn't so fond of free association/assembly and of unregulated expression in general, it doesn't really surprise me that the government has blocked Facebook. However, I am shocked that they were perceptive enough to realize what a major role it plays in everyday life here.
The government has knocked my-facebook-self into a coma.
Wikipedia writes,
"A notable ancillary effect of social networking websites, particularly Facebook, is the ability for participants to mourn publicly for a deceased individual. On Facebook, students often leave messages of sadness, grief, or hope on the individual's page, transforming it into a sort of public book of condolences. This particular phenomenon has been documented at a number of schools. Previously, Facebook had stated that its official policy on the matter was to remove the profile of the deceased one month after he or she has died,preventing the profile from being used for communal mourning, citing privacy concerns. Due to user response, Facebook amended its policy. Its new policy is to place deceased members' profiles in a "memorialization state".
Additional usage of Facebook as a tool of remembrance is expressed in group memberships on the site. Now that groups are community-wide and available among all networks, many users create Facebook groups to remember not only a deceased friend or individual, but also as a source of support in response to an occurrence such as 9/11 or the Virginia Tech massacre in April 2007."
How will Facebook respond to all of us comatose Syrians?Our profiles are now memorials. Does that mean we're dead?
Sunday, November 18, 2007
Fondly, from opera-syria.org
Welcome to Dar Al-Assad for Culture Culture and Arts
Scouring through hundreds of websites
You visited us
To let our friendship start here
How?
By being with us in our free creations
To let our friendship start
For
Culture is the spirit of civilization
&
Art is the expression of its rise
We create love & peace
We follow the profession of happiness
Surpassing frontiers & races
Yet
Our Syrian human being is looking for world's human beings
You're welcome again
You're with us & we're with you
Scouring through hundreds of websites
You visited us
To let our friendship start here
How?
By being with us in our free creations
To let our friendship start
For
Culture is the spirit of civilization
&
Art is the expression of its rise
We create love & peace
We follow the profession of happiness
Surpassing frontiers & races
Yet
Our Syrian human being is looking for world's human beings
You're welcome again
You're with us & we're with you
Saturday, November 17, 2007
The Sword
I envision my death when I walk to the theatre.
Dar al Assad, the National Theatre, sits on Sahat el Oumayeen, a giant roundabout a la Paris's Place de l'Etoile. Instead of the Arc de Triomphe, there is a wide fountain with dozens of jets that glimmer neon blue at night. It's far from majestic, but you can't help but giggle when you see that much water shooting into the desert air.
A concrete monolith accented by a sliver of windows, the Assad library and Syria's equivalent of the Pentagon hold the fort on the Eastern flank of the Sahat. To the West lies another concrete monolith, the Sheraton Hotel...although it's more of a modernist ruin than anything else.
One of the few memories I have from my trip to Damascus fifteen years ago is indulging in a banana split at the Sheraton pool. It still hosts a chic crowd during the summer (the prostitutes go to Le Meridien). The 80s glam of the sunbathers juxtaposes with the heinous architecture reminiscent of ammunition igloos at Fort Dix. Southwest, you've got a nondescript Ministry barricaded by a colonnade, and due South is Dar al Assad which is a perfectly shaven, concrete rectangular prism. Literally.
Charming as the fountains may be, the real axis of this space is the towering seven-story sword (probably the Assad Sword), whose pseudo-stained glass facade lights up at night. Rooted off-center in a concrete island near the Dar al Assad, it reminds all cars and pedestrians that--make no mistake--this phallus lays down the law of the land.
Approaching the Sahat is like stepping into a vortex of nationalism, totalitarian authoritarianism, and patriarchy...and concrete. Time after time, I'm floored by how boldly the architecture and geometry of this cityspace embody a politics of monism. And, time after time, I pass a row of kalishnikovs aimed at my liver as I stroll past the Ministry of Defense. There's an exasperated soldier hanging out every twenty meters or so. He's got his gun draped perpendicular to his torso and directed right at the passers-by.
I know these guns are probably not even loaded. And I doubt that these guys are even conscious of where their guns are pointed. And even though kalashnikovs and tanks were ubiquitous in Cairo and Beirut, I can't quite get used to walking past a barrel aimed straight at my body. Without fail, as I'm approaching the target range of these guns, I think to myself, "This is it. It's going to shoot accidentally. Something's going to happen, and it's going to shoot. This is it. I'm going to be shot. I'm going to be killed. And I'm going to collapse dead at the feet of a towering polychromatic phallus in Damascus, Syria."
Dar al Assad, the National Theatre, sits on Sahat el Oumayeen, a giant roundabout a la Paris's Place de l'Etoile. Instead of the Arc de Triomphe, there is a wide fountain with dozens of jets that glimmer neon blue at night. It's far from majestic, but you can't help but giggle when you see that much water shooting into the desert air.
A concrete monolith accented by a sliver of windows, the Assad library and Syria's equivalent of the Pentagon hold the fort on the Eastern flank of the Sahat. To the West lies another concrete monolith, the Sheraton Hotel...although it's more of a modernist ruin than anything else.
One of the few memories I have from my trip to Damascus fifteen years ago is indulging in a banana split at the Sheraton pool. It still hosts a chic crowd during the summer (the prostitutes go to Le Meridien). The 80s glam of the sunbathers juxtaposes with the heinous architecture reminiscent of ammunition igloos at Fort Dix. Southwest, you've got a nondescript Ministry barricaded by a colonnade, and due South is Dar al Assad which is a perfectly shaven, concrete rectangular prism. Literally.
Charming as the fountains may be, the real axis of this space is the towering seven-story sword (probably the Assad Sword), whose pseudo-stained glass facade lights up at night. Rooted off-center in a concrete island near the Dar al Assad, it reminds all cars and pedestrians that--make no mistake--this phallus lays down the law of the land.
Approaching the Sahat is like stepping into a vortex of nationalism, totalitarian authoritarianism, and patriarchy...and concrete. Time after time, I'm floored by how boldly the architecture and geometry of this cityspace embody a politics of monism. And, time after time, I pass a row of kalishnikovs aimed at my liver as I stroll past the Ministry of Defense. There's an exasperated soldier hanging out every twenty meters or so. He's got his gun draped perpendicular to his torso and directed right at the passers-by.
I know these guns are probably not even loaded. And I doubt that these guys are even conscious of where their guns are pointed. And even though kalashnikovs and tanks were ubiquitous in Cairo and Beirut, I can't quite get used to walking past a barrel aimed straight at my body. Without fail, as I'm approaching the target range of these guns, I think to myself, "This is it. It's going to shoot accidentally. Something's going to happen, and it's going to shoot. This is it. I'm going to be shot. I'm going to be killed. And I'm going to collapse dead at the feet of a towering polychromatic phallus in Damascus, Syria."
Thursday, November 15, 2007
Text from a Placemat in La Casa in Abu Rummaneh, Damascus, Syria
When was the last time you had Asian?
of the ginseng herb
Cleansing the body of stress.
Ginseng has a long history of helping increase libido or sexual energy and desire.
Ginseng is considered one of the only safe natural herbs for sexual health.
www.visitlacasa.com
of the ginseng herb
Cleansing the body of stress.
Ginseng has a long history of helping increase libido or sexual energy and desire.
Ginseng is considered one of the only safe natural herbs for sexual health.
www.visitlacasa.com
Monday, November 12, 2007
Under my Umbrella
I nearly exploded when I heard the rain. I was in the shower when it started, and so it probably took me a while to perceive the relatively soft pattering outside.
Yesterday, in the car on the road to Beirut, the woman squeezed to my right relayed the news of the rain. I thought she was pleasant at first. After we veered off the Chtoura highway forty minutes deep into the belly of the Lebanon Mountains to the end of the road (literally) of the village Shbiah, I was ready to shove her out of the Chevy.
Mama Hiam gave me a giant aquamarine umbrella, and I hurried off to the Goethe Institute to attend a conference. The service dropped me off just after the AUB on Bliss, and I walked the rest in the downpour. Past Snack Faysal--it sits at the base of a civil war ruin, one of the few on Bliss that hasn't been replaced with a concrete atrocity or a fast-food workshop. Past Siniora's house, past Salon Khalil Mike, and past Heo's doctor's office, who, it turns out, is a distant relative of mine. It was Sunday. The streets were empty, which was lucky because my umbrella proved to be too big for the sidewalks, so I took to the road.
But, actually, come to think of it I never really walk on sidewalks anymore. My walk this afternoon was exceptional because of the umbrella, that's all.
Yesterday, in the car on the road to Beirut, the woman squeezed to my right relayed the news of the rain. I thought she was pleasant at first. After we veered off the Chtoura highway forty minutes deep into the belly of the Lebanon Mountains to the end of the road (literally) of the village Shbiah, I was ready to shove her out of the Chevy.
Mama Hiam gave me a giant aquamarine umbrella, and I hurried off to the Goethe Institute to attend a conference. The service dropped me off just after the AUB on Bliss, and I walked the rest in the downpour. Past Snack Faysal--it sits at the base of a civil war ruin, one of the few on Bliss that hasn't been replaced with a concrete atrocity or a fast-food workshop. Past Siniora's house, past Salon Khalil Mike, and past Heo's doctor's office, who, it turns out, is a distant relative of mine. It was Sunday. The streets were empty, which was lucky because my umbrella proved to be too big for the sidewalks, so I took to the road.
But, actually, come to think of it I never really walk on sidewalks anymore. My walk this afternoon was exceptional because of the umbrella, that's all.
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